behind the song
When your first single from your debut album shoots up the charts, puts the competition in a stranglehold and doesn’t let go for seven weeks in a row, you’ve got reason to brag. And boy, does “Fancy” do just that.
To the surprise of many, Jack White’s GRAMMY-nominated solo jam “Lazaretto” is based on a hip-hop classic.
Watch Pharrell Williams talk about the creation of ‘Happy,’ and how the world’s response has affirmed his faith in humanity.
When Taylor Swift sat down to write her now three-time GRAMMY nominated hit “Shake It Off,” she wanted to create a song that brought the wallflowers to the dance floor.
‘Chandelier’ is a classic case of a happy accident, a spontaneous flash of inspiration that turned into one of the biggest and most pervasive hits of 2014.
Paramore’s song “Ain’t It Fun” didn’t just help Hayley Williams grow up, it also earned her and her bandmates a GRAMMY nomination.
Meghan Trainor is bringing booty back.
It’s a moody anthem that serves as the closing song on his 2013 album’ Two Lanes of Freedom.’ McGraw was drawn to it’s “timeless” quality.
“When we were about to pick the first single I really lobbied for ‘Merry Go ‘Round’ because I’m out there every night and I can tell you, hands down this is the one people are connecting with. I’m really glad that was my first thing to say to the world.”
“‘Crazy’ was just my way of saying, ‘That’s real love. When you feel like you’ve gone crazy. That’s when you’ve actually gotten something right.’”
Frontman Ezra Koenig on about how their hit single from the GRAMMY-nominated ‘Modern Vampires of the City’ went through a rough ugly duckling stage until they figured out that vocal effect—you know the one.
“When I heard ‘Wagon Wheel’ at my daughter’s high school talent contest, I just thought, ‘Man some day I’m going to cut the song for a record.’ It was one of those lightning bolt things that I can’t even explain.”
“I think one of the first lines I wrote from that song,” Lorde told Radio.com, “which was, ‘We’re driving Cadillacs in our dreams,’ was in a diary that I had when I was like 11 or 12, so young.”
“I am woman, hear me roar.” It’s the simple phrase that Helen Reddy sang in 1971 and 42 years later would inspire Katy Perry, along with her co-writer Bonnie McKee, to write “Roar.”
If Sara Bareilles ends up winning the Best Pop Solo Performance GRAMMY for “Brave,” she owes Sara Quin an Edible Arrangement or at least a thank you card.
One thing is clear: Robin Thicke’s “Blurred Lines” was the most talked about song of the summer and now it’s up for 4 GRAMMYs including Record of the Year. Thicks says it’s all due to Pharrell and a rather racy video.
After the uptempo pop fun of “Good Girl,” the first single from her 2012 album Blown Away, Carrie Underwood chose a song of a different color for her next one. And by different color we mean something much […]
Although they’re a mere trio, the larger-than-life sounds produced by British prog-rockers Muse carry the weight of bands twice their size. An arena rock band to the core, Muse’s musical dexterity has earned them comparisons […]
While the mention of Jack White typically elicits visions of blistering guitar lines and dusty blues, the Detroit-native also boasts a far less obvious influence: the band KISS. Where KISS produced a myriad of products […]
From country ballads to frenzied dubstep and vibrant dance-pop concoctions, Taylor Swift’s latest album Red is a variety pack of emotion and energy. Yet one thing that binds so many of her songs together is their undeniable catchiness. She […]
Hunter Hayes‘ GRAMMY nominated song “Wanted” began simply as a way to tell a girl he was interested. “‘Wanted’ is very much a love letter. It was written basically just to tell a girl how […]
It was hard to go anywhere in 2012 without hearing Gotye’s “Somebody That I Used To Know.” It comes as no surprise the track has been nominated for Record of the Year and Best Pop […]